History
At this time it is impossible to make a definite attribution to Sarah Marshall but this quilt was almost certainly made by Sarah Marshall and/or one of her daughters, Hannah, Jean or Agnes at Hill End NSW and probably at 'Craigmoor' their family home. The exact date is unknown. It is now part of the 'Craigmoor' collection owned by the NSW National Parks and Wildlife Service and displayed at 'Craigmoor'. James Marshall (1828-1905) from Scotland via the Californian gold rush and Sarah Langslow Adams (1836-1926) born Herefordshire England, were married in 1858 at Hill End. Reef mining in the 1860s brought fame and fortune to this mining settlement, north of Sofala and Bathurst in NSW. In 1875 James Marshall had 'Craigmoor' built and he and Sarah lived there with their family of 9 children, 2 having died in infancy. The textile collection at 'Craigmoor', including the quilts, reflects the Marshall women, Sarah and her daughters Hannah (1859-1950), Jean (1867-1948) and Agnes (1871-1950) and gives a glimpse of the daily lives of the women. Needlework, including crochet in various forms, was important and some of the women made their own hats. At least in the later years, it appears to have been a thrifty household with many quilts made over and patched. Hannah, a spinster, lived at 'Craigmoor' from the time it was built until her death aged 91. She taught Sunday school in Hill End and was well known locally for her bottling, preserving and jam making. She also made elderberry wine. The 3 sisters were fond of playing the piano.
[Sources: NSW National Parks and Wildlife Service brochure on Hill End, Sue Stephens (daughter of Charles Marshall), Christine Karlsen, informal conversations with the locals at 'The Royal'. Wendy Hucker for NQR]
Description
Double sided quilt. Side 1 has an off centre frame based on a hexagon and including triangles and squares in a concentric pattern. The borders are all small rectangles with a single strip of large rectangles at one end. Side 2 has a central patch of pieced shapes appliquéd to the background. The borders are squares and rectangles many in striped shirting cotton. Side 1 has minimal quilting to the interlining but it does not go through to side 2. The padding is a thin sheet. The circle (sometimes pieced hexagons) is common to other 'Craigmoor' quilts.
1450 x 1230 mm
